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My home-made grad-yellow filter in my Lee holder, and the image used as a comparison photograph (c) 2012 J. Rae Chipera all rights reserved. Photograph taken in San Gregorio, California. |
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Lee Filters grad yellow filter - (c) 2012 J. Rae Chipera all rights reserved. Licensing for use is available for this image - photograph taken in San Diego, California |
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Lee Filters grad red filter used with a 9 stop GND filter - (c) 2012 J. Rae Chipera all rights reserved - licensing for use is available for this image - Photograph taken in San Gregorio, California. |
I find that the red and orange do a great job creating silhouettes. In the windmills photo you see no seam from the filter across the hills and windmills. They also seem to do great to create different off-colors by changing the white balance in camera. When I use the red filter with a blue-tinted white balance, for example, I can make the red slightly more purple (though the part not in the filter comes out blue).
They have been serving me very well for my Otherworldly's series. The red and orange particularly give me some outstanding effects. However, if I were to make / sell a "set" of sunset filters I would include more than three colors (even if it meant charging more money) as there are more than three colors in a sunset. For example - it would be great to have a grad-blue filter! If you're facing east during a sunset you will also notice other colors depending on where you live.
I've preached my complaints about the Lee holder before, but I will again state that - especially for sunsets - it would be nice to have a third slot for the amount of extra money you pay for a product with the Lee name on it. - In case one wants to use two grad colors and one grad ND or something. I cannot count the number of times I've wanted a grad orange with grad nd on the bottom with a grad yellow on the top - but there are not enough slots to make that photograph happen.